I’ve mentioned before how fascinated I am with the pop-culture zombie; I think this show is the next logical step as the undead become more and more mainstream. This is a polished re-presentation of what has now become essentially the standard zombie-mythos, steeped in the emergence of disease, humans becoming nothing but the vessels of some virus or bacteria which thinks of nothing more than it’s own propagation. What’s amazing in all of this is the way that life is portrayed as evil, that it is unable to curb itself to the point of it’s own collapse at the hand of it’s own parasitic drives. Life is evil because it is excessive, because Nature cannot be domesticated, because it is ultimately unpredictable. How far we’ve come from the undead as a figure of demonic possession, beings that were simply Evil. Now, evil needs a reason and that reason is unsustainability.
Tag Archives: psychoanalysis
I wanted to announce that I’m giving a public lecture a week from today. I was asked to give a talk on psychoanalysis and I’ve decided to talk about psychoanalysis and film, specifically vampire and zombie movies. The paper I’m presenting can be understood in three ways: First, I want to discuss the trajectory that these creatures have undergone throughout the history of cinema. Second, I will discuss what this trajectory means in terms of what we fear, assuming of course that Zizek is right and that films express our own beliefs and fears better than we can ourselves. Third, I want to present my own critique of apocalyptic films of this nature.
This is a topic that’s been on my mind for some time now and I look forward to being able to talk about it as part of this great series. Here’s a blurb about the lecture series from the MUN Philosophy site:
St. John’s Public Lectures in Philosophy
Presented By Memorial University’s Philosophy Department
The reasons for this series of lectures are to support the intrinsic value of public, philosophical discussion, to provide a free public forum for such discussion, and to stimulate a culture and love of learning in St. John’s. The lectures last approximately 30 to 40 minutes and are followed by an hour of discussion. The lectures deal with a wide variety of philosophical topics and all citizens are invited to participate. The lectures occur on the last Tuesday of each month.
I’ve been sitting in on the seminar on hermeneutics that Sean is doing this semester. Besides Gadamer’s Truth and Method, we’re reading several essays by Ricoeur, and some pieces by Derrida. Our last class was on the topic of ideological critique, reading a piece on Habermas’ critique of hermeneutics as being unable to adequately critique ideology or politics at all because of its inherent relativism.
The next day I was exchanging emails with Sean and this ended up with a discussion of Freudo-Marxism and Lacanian-Marxism, and Sean leading me to look at a few pages of a book by Charles E. Reagan called Paul Ricoeur: his life and his work. Pages 25-31 (available as a free preview on Google Books) detail Ricoeur’s relationship with Lacan, which was unusual to say the least. I find the relationships that Lacan had (or tried to have) with philosophers very interesting. I of course knew about his attempt to seek approval from Heidegger and the encounters with Deleuze, but I was unaware that he had sought out both Merleau-Ponty and Ricoeur as potential allies. The whole thing has this very bizarre feel to it. Of course now there are many philosophers who pledge allegiance of some sort to Lacan. Does anyone know of any other relationships between Lacan and philosophers, and if so, were they as strange as these?
When I started reading C.G. Jung in my undergrad as part of a reading course on late medieval and early Renaissance alchemy, I started keeping a dream journal. This turned into a blog on my dreams that I updated constantly. I was immediately taken by Jung, beginning with his Memories, Dreams, Reflections, up through reading through a large number of his Collected Works. It seemed to me then that psychoanalysis was the contemporary iteration of Augustine’s Confessions, that I was continuing this long tradition of studying the self that began in Ancient Greece and was continued by the mapping of my dreamscapes. I’m perhaps not as fond of Jung as I was years ago when I eagerly devoured his writings; there’s a certain naive quality that permeates his writing, which in a less cynical mood I could easily call an innocence and count as a positive attribute.
The reason I bring this up is that I haven’t been sleeping well lately. This started of course when my grandmother passed away and has continued since then. I’ve had issues with sleep since childhood, beginning with long periods of insomnia. The latest problem began as one of feeling rested. I would sleep a healthy amount and still feel exhausted upon waking. I’ve tried simply sleeping more, same result. Then the problem turned into one of waking up in the night, first once, then several times. Last night this escalated to frequent paranoid nightmares: feelings of being watched, being followed, waking up and feeling like someone is in the hallway. Anyway, when I began my dream journal years ago, it helped with nightmares, so I’m thinking of starting one again. I still haven’t decided if it will be a paper or online journal, and if online, if it will be private or public, and if public if it will be anonymous or not.
I have decided to make available a short draft version of a larger work, what could probably be called my greater “project” that I am actively working on. As has been pointed out by both Nick and Ben in their recent interviews with Paul Ennis, I am part of a small group of speculative realists (a name I gladly wear) that not only defends, but attempts to expand on the tradition of psychoanalysis, or more specifically, the metaphysics of psychoanalysis.
The piece in question is “Being Without Thought: The Unconscious and the Critique of Correlationism” and could best be described as my immediate reaction to Meillassoux’ After Finitude, written a few months ago. The work is still very much early on, and I hope to expand on it a fair amount, with all of the sections growing. The purpose of the paper was to cap off a reading course I did this past winter on Schelling, Lacan, and Zizek. I had just read Meillassoux’ book and asked my advisor if I could write a short piece attempting to sort out my ideas on how Meillassoux relates to the metaphysics of psychoanalysis. The sections on Badiou, Schelling and Schopenhauer are admittedly rough, but I think there’s a seed of something larger there. I will be expanding on all of these ideas this fall when I will be sitting in on a seminar on Schopenhauer, since it’s been a couple of years since I read The World as Will and Representation. I also hope to add a section on Eduard von Hartmann, but I’m not sure when or if I’ll have time to really deal with his massive The Philosophy of the Unconscious. I would also like to figure out how Zizek fits in with all of this, though I suspect his Hegelianism would not fare well.
Anyway, please read the piece (again, it is only very brief, draft, etc, etc.), and let me know what you think.
The cult of Camazotz began around 100 B.C. among the Zapotec Indians in what is the modern-day Mexican state of Oaxaca. The cult of Camazotz worshiped an anthropomorphic monster with the body of a human, head of a bat (though the exact proportioning varies with account). The bat was associated with night, death, and sacrifice. This god soon found its way into the pantheon of the Quiché, a tribe of Maya who made their home in the jungles of what is now Guatemala. The Quiché identified the bat-deity with their god Zotzilaha Chamalcan, the god of fire.
There is some evidence to support that the Camazotz myth may have sprung from actual large, blood-drinking bats of the Mexico, Guatemala, and Brazil areas. Evidence is in the form of fossils of Desmodus draculae, the giant vampire bat. There have also been skeletons of D. draculae found which were sub-fossil, of very recent age. These sub-fossils suggest that the species were still common when the Mayans civilization existed, and may still be in existence today, though it is doubtful. Alternately, Camazotz may have originated from the Spectral Bat, a large carnivorous bat native to Central and South America.
The thought that has been circling in my mind for the past several days is the relation between an evolutionary or process form of metaphysics and the general concept of the parasite. Typically when one is presented with a vitalist system, it is a system of fitness. This is simple enough in someone like Nietzsche, where dominance, will to power, is the rule. Emergent forms are par for the course in a vitalist metaphysic, and it seems entirely possible that they rise to dominate. Is this the case though?
One of the basic structures of any vitalism is a metaphysics of flow. This seems to work much better with a general parasitological view of life, of things in general. Beasts don’t rise up to smite lesser creatures for the sake of dominance, but through feeding off of them.
All forms of nature are variations of the verb “to eat.”
Human sacrifice, agriculture, eating, reproduction, aging, death, fertilizing, growth and decay. The flows are endless. There is no top, no bottom. We are all someones food. We flow into each other, use, abuse, each other. We sacrifice to our gods, we are worshiped, we all eat and sleep. The gods need us. We all sleep sometime. The will to power is the ideal, the lie we live. We are all weak. We are all powerful. We are all-week… we are all-powerful. We are all Bat-Gods to someone.
[ADDENDUM: One could also raise the question of the relation between the Bat-God, as a god who feeds, with the Christ, another god who feeds (I love the play of the word ‘feeds’ here). It is perhaps this relation that I am most interested in, the one who takes and gives only in death versus the ones who gives, and somehow continues to give in even death. The interplay of giving and taking, giving and taking and persistence. What is the relation between the parasite, the Eucharist, and vitalism as a metaphysics of perpetuity?]
I will be watching this film this evening. Please join me and we can discuss it (maybe!). The copyright has expired on it, so I am posting it below. Here’s the Wikipedia page for the movie. Note: It stars Bela Lugosi as a voodoo master named Murder(!) and so can’t possibly be bad! Enjoy!
PS: Click through to watch it on YouTube with a dimmer.
Wow talk about “undead labour,” huh? Creating the undead to work in a sugar mill? You’d think a voodoo master named Murder would aim higher than that. Maybe it was all part of a plan? As we all learned from The Simpsons, “First you get the sugar, then you get the power, then you get the women.”
I did love that scene when Madeleine sees Murder’s gaze in the glass of wine and says “I see death.” Nice.